No knitting, but lots of spinning

I haven't knit since Thursday. Partly by design, and partly due to the large amounts of alcohol consumed on the weekend. I have been spinning though. I've just finished the singles for Vinelle - I've taken Friday off work so I can get it all plied up this weekend.

Having made the decision not to take my knitting to the pub on Saturday - partly due to a desire to rest my hands, but mainly because I am doing a chart on the cardigan I am working on, and it wouldn't have mixed well with a social, beer filled afternoon- I took my spindle. This is the lace weight that I am going to ply with some Wensleydale that I am going to spin next, on the wheel:

It's actually lots of different colours, although you can't see that because the outer wrapping is all gold. I'm loving using the spindle again. Walking around, taking it with me, the whole act of spindling I find very freeing. I'm having so much fun I ordered a Turkish spindle from Ist, which should be arriving any day now.

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Why Andrea Mowry, why? (A rant and a rather nice finished object)

As mentioned, prior to our hiking trip I suddenly, and rather randomly, decided to knit Andrea Morwy's Traveler Shell . It's basically an open fronted rectangle in a knit purl pattern. The pattern is FOURTEEN pages long. Why is the pattern 14 pages long? Because, instead of explaining the ten row repeat and then putting the shaping on top of that (e.g. decrease while continuing to knit in pattern), she writes out the entire ten row knit purl sequence every time something changes. Additionally, most of the time she starts with even number being the right side and wrong numbers being the right side,which is just plain odd. It's confusing and it's like she wants to keep you looking at the pattern for every row, rathe than following the very intuitive stitch pattern, which I had memorised after one repeat. The instructions for the band just say 'pick up x number of stitches'. No ratios, no acjnowledgement that different bits of the band have different ratios. Afte...

Geogradiant MKAL Part 1 - that was unexpected (spoilers)

Stephen West released the first MKAL clue on Thursday night. I started knitting it without looking at spoilers. When I got up on Friday he had sent through an "alternative" clue one. I then went and had a look at the spoiler thread to try to work out what was going on. Which was that some people thought the pattern looked like a "German hate symbol". I knit on anyway, since I was half-way through. Then he took down the original clue, replacing it with a mitred square in garter stitch. The Ravelry forums and Instagram are a complete shit-show, even though Rav is being moderated. It's been a bit disheartening, having something that is usually quite light and fun weighed down with all this. I admire Stephen's quick and sensitive response to this drama. I also feel that anything can look like anything if you squint. To me this looks like a Celtic knot. I think mine is pretty, and I'll knit on through all crises.

Linky Wednesday - the one with the pause

In meditation it's said that the pause between the in breath and the out breath is a gap, a space to rest. Well, I'm in that in-between space for reading, listening and knitting. This is a random photo of a highlight of my week - I filled up my lolly jar. These are just supermarket party mix. During the lockdowns, we sources a great pick-and-mix delivery service, but at some point they started sending from the UK, which is a bit silly. Rachey messaged me a new one she found, and I impulsed purchased a kilo of mixed lollies, and then she sent me a link to the biggest lolly shop in Melbourne, which also delivers sweets by the kilogram, so i think I'm sorted for the rest of the year! In reading I've just finished The Beckoning Lady by Margery Allingham . It's the second last book in the Summer of Mystery, and I have to admit, having now read nine Margery Allingham books, that they are OK. I wouldn't have read them if they were not connected to this club, but on...

What I made, by Sharon

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