Trust the process

When I swatched for Spice Road I didn't know when I was going to knit it. Then I finished the bathmatt and realised it was the perfect time to do Spice Road. Also, that I really wanted to. This week I am travelling all over the state: Morwell and Warrnambool and Marysville and Wangaratta, so I needed something portable, but I really don't feel like knitting socks right now. Shocking I know, but I think I've overdosed a little. So I decided to knit Spice Road, since it's quite small, and in pieces. And I am knitting it in pieces, like the pattern says. I am knitting this exactly as the pattern is written. Except for one thing: My row gauge is 28 stitches per 10cm prior to washing. After washing it is the required gauge of 32 stitches per ten cm. So every time the pattern calls for "knit until it is 10 inches" I have to add 12 rows, or two inches. I think. Hopefully that maths will work for me. There will be no trying on as I go, no second guessing. I'm just going to trust the process, travel around our fair State of Victoria and at the end of it, wash the pieces, sew it together and hopefully have a lovely, well fitting jumper.

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Geogradiant MKAL Part 1 - that was unexpected (spoilers)

Stephen West released the first MKAL clue on Thursday night. I started knitting it without looking at spoilers. When I got up on Friday he had sent through an "alternative" clue one. I then went and had a look at the spoiler thread to try to work out what was going on. Which was that some people thought the pattern looked like a "German hate symbol". I knit on anyway, since I was half-way through. Then he took down the original clue, replacing it with a mitred square in garter stitch. The Ravelry forums and Instagram are a complete shit-show, even though Rav is being moderated. It's been a bit disheartening, having something that is usually quite light and fun weighed down with all this. I admire Stephen's quick and sensitive response to this drama. I also feel that anything can look like anything if you squint. To me this looks like a Celtic knot. I think mine is pretty, and I'll knit on through all crises.

Linky Wednesday - 3/2024

It's been a bit of a week. Because of my hand , I can't really knit, so I'm doing some charity crocheting: It's quite fun, but also I'm halfway through a shrug for myself, and I'd rather be knitting. Oh well, we can't always get what we want! In reading, I'm reading Stargazy Pie , the next Victoria Goddard. This is a comedy of manners and lots of things happen. I can't say I feel deeply about any of them, but that's not the point. It's fun. I'm listening to Elin Hilderbrand's The Five-Star Weekend . It's got a lot of characters, and it took me while to get into it, but now I'm invested. Women's fiction at it's finest. Next up is a review book Tidelines by Sarah Sasson. Great cover. It's Australian, and you know how I love a local book (although I think it's set, or at least starts in Sydney). It's described as a coming of age novel, and I love those too, so it sounds like a winner. I just re-read t

Linky Wednesday - the one with the pause

In meditation it's said that the pause between the in breath and the out breath is a gap, a space to rest. Well, I'm in that in-between space for reading, listening and knitting. This is a random photo of a highlight of my week - I filled up my lolly jar. These are just supermarket party mix. During the lockdowns, we sources a great pick-and-mix delivery service, but at some point they started sending from the UK, which is a bit silly. Rachey messaged me a new one she found, and I impulsed purchased a kilo of mixed lollies, and then she sent me a link to the biggest lolly shop in Melbourne, which also delivers sweets by the kilogram, so i think I'm sorted for the rest of the year! In reading I've just finished The Beckoning Lady by Margery Allingham . It's the second last book in the Summer of Mystery, and I have to admit, having now read nine Margery Allingham books, that they are OK. I wouldn't have read them if they were not connected to this club, but on

What I made, by Sharon

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